C'était N'aut' Can-Can Payez Donc
Solo piano · recorded 1938MIDI file
€9.99
VAT included · instant download after checkout
Secure Stripe checkout with cards, iDEAL, PayPal, Apple Pay and Google Pay. Your invoice is emailed automatically.
Included in your purchase
- Jelly Roll Morton - C'était N'aut' Can-Can Payez Donc (1938).mid
- 6-14 C_tait N_aut_ Can-Can_ Payez Donc vocals.mp3
- Practice mode on transcribe, with tempo control, the A-B loop and the Sheet music tab
- Your invoice, by email and in your library
- Free re-downloads from your library, at any time
The preview video shows exactly what is in the MIDI file, left hand and right hand visualized.
Practice mode preview
First 30 secondsFull duration: 2:39 · unlocks after purchase
This file is licensed for your personal practice and study. Please do not use it commercially, for example in a monetised video, a public performance, a stream or a release, without approval first. If that is what you have in mind, reach out via the contact page and we will sort it out.
Among the 1938 Library of Congress recordings is a run of Creole songs, and this is one of them: music from the French-speaking New Orleans that Morton was born into as Ferdinand Lamothe, in a family whose older members, he told Alan Lomax, never spoke a word of English. The title is Creole French, roughly that was another can-can, so pay up.
These were the oldest things he played for Lomax, carried out of childhood rather than off a printed page, and they show what the dance music of the city sounded like before anyone thought to call it jazz. Morton holds it at an easy walking tempo and lets the tune carry itself.
Transcribed from the Library of Congress recording, with the left and right hands on their own channels.
- Artist
- Jelly Roll Morton
- Genre
- Traditional Jazz Piano
- Recorded
- 1938
- Difficulty
- Intermediate
- Duration
- 2:39
- Tempo
- about 75 bpm
- Key
- B flat major
- Channels
- 2 · left and right hand
- Format
- .mid · Type 1
Jelly Roll Morton
The self-proclaimed inventor of jazz, and its first great composer-arranger, who carried New Orleans piano and the Red Hot Peppers into the wider world.